Drag as an art form is a global phenomenon and worldwide industry. Queens are now celebrities, with shows like RuPaul’s Drag Race beamed into households across the world. But people with learning disabilities have remained largely shut out of the world of drag. Drag Syndrome—a new drag show featuring drag queens and kings, all of whom have Down’s syndrome—looks to change that.
“I think that Kim and I were magical together and when you have that type of synergy only greatness can come forth. We were thinking outside of the box and unapologetically taking risks. People gravitate to that type of authentic and creative energy.”
Tammie has recently released an EP titled A Little Bit of Tammie. The first tune, “Lip-Sync Suicide” was written for her by her creative partner Rodrigo Beroso, who also wrote songs for her like “Clam Happy,” “Love Piñata,” and “I Stay Connected.” The inspiration behind “Lip-Sync Suicide? Tammie’s refusal to lip-synch to Michelle Williams' “Break The Dawn” on Drag Race.
What do country music, RuPaul’s Drag Race, 16 strips of fake eyelashes and Milwaukee have in common? Trixie Mattel! From the moment Trixie Mattel walked into the Werk Room on season 7 of Drag Race, she exuded charisma and charm. Although Trixie was eliminated early in the competition in episode 4, she became a fan favorite and was brought back in episode 8 only to be eliminated once again in episode 10. Trixie’s rise to the top didn’t end there, she went on to star with fellow season 7 alum Katya in Viceland’s The Trixie & Katya Show, where they delve into a single topic like sex, money, spirituality, and the internet. This year, Trixie returned to Drag Race to take the crown in All Stars Season 3.
In 2012, Jane Fonda gave a Ted Talk about “life’s third act” – the last three decades of life which she described, “age not as pathology, but as potential”. Artist Matthew Morrocco has explored “life’s third act,” in his first photography book, Complicit, published by MATTE editions. The images chronicle Morrocco’s time spent photographing himself with older, gay men in New York City from 2010 to 2015.
With my first baby, I shared many of the same challenges as the other worried, overtired and overwhelmed new moms in our playgroup—breastfeeding struggles, sleep regressions and battles with diaper rash. But there was always one thing none of the other parents could relate to: my son’s plagiocephaly, a.k.a. flat head syndrome.
The Afropunk Festival is more than a two-day festival; it’s a global movement. It’s a celebration of Black culture and a safe space for self-expression and activism through skate, music, film and art. The manifesto is “No sexism, no racism, no ableism, no ageism, no homophobia, no fatphobia, no transphobia, no hatefulness.” Cofounder Matthew Morgan’s stated, “Afropunk is for open-minded, forward-thinking, progressive people. We are not a genre of music — we’re a state of mind. If you’re gonna do something that has an impact, it’s important for us to be involved in something that helps to spark a dialogue that’s felt globally.”
Amanda Lepore’s childhood was far from the glitz and glamour that surrounds her today. Growing up, Amanda was bullied for being different from all her peers because although she was born a boy, her internal identity was female.
In her teens, Amanda started taking hormone therapy and underwent gender reassignment surgery that was paid for by her boyfriend’s father. She fled New Jersey and became a fixture on the New York City club scene in the early ’90s with the likes of Kabuki Starshine, Richie Rich, and Michael Alig (whose rise and fall was made into the feature film Party Monster). After meeting photographer David LaChapelle, Amanda Lepore became his muse, appearing in his cheeky, colorful photographs including the Amanda as Marilyn and Amanda as Andy Warhol’s Liz Taylor in his After Pop series.
Three years before the #MeToo movement went viral, New York–based performance artist Emma Sulkowicz became famous for the 2015 performance piece Mattress Performance (Carry That Weight), in which Sulkowicz carried a 50-pound dorm mattress around Columbia University’s campus for nine months to protest the university’s lack of action against an alleged rapist.
La Luz is new to Los Angeles but not to the indie music scene. Formed in 2012 in Seattle, Washington, the band — made up of lead singer/guitarist Shana Cleveland, drummer Marion Li Pino, keyboardist Alice Sandahl and bassist Lena Simon — is popular among music critics. Their third full-length album, Floating Features, solidifies their place among the best indie rock bands. Read more...